‘The most beautiful album I have heard in years. Period’ New York Post

Born Alexander Gordon de Menthon in 1981, in Cambridge, England, this assuredly brooding singer/songwriter — whose material displayed a balance of melancholy and hope — eventually chose to use his late grandmother’s maiden name when he began a solo career.

Wolfe grew up in Woolwich, southeast London, and a chance meeting in a Denmark Street guitar shop with a pre-fame Jamie Cullum led to the pair forming a band under the name Taxi. By mid-2002 the group had disbanded, and while Cullum followed a jazz route, Wolfe slowly carved out his own sound, which nodded to the downbeat indie of both Elbow and Doves, but perhaps more prominently displayed an affinity with folk music.

Funded by the sale of a Rembrandt lithographic print that he had inherited from a family member, the main sessions for Wolfe‘s debut album took place at Wheeler End Studios in Buckinghamshire, a facility that was leased at the time to Noel Gallagher. Issued in March 2010 on Dharma Records Morning Brings a Flood benefitted from a painstaking recording process in which Wolfe recorded every instrument apart from the horns, strings, and drums, the latter of which was played by former member of the StandsSteve Pilgrim. “Song for the Dead” — a track which recalled the sea shanty indie rock of the aforementioned Stands and their Liverpudlian contemporaries — received regular national plays when it opened and closed Alan Davies‘ BBC2 sitcom Whites.

Wolfe‘s aptly titled second album, 2012’s Skeletons, also on Dharma Records, was a stripped-back, largely acoustic collection recorded over a weekend at his parents’ house back in Woolwich, with the assistance of close friend Jan “Stan” Kybert. Alongside original compositions, the album featured a cover of Neil Young‘s “Don’t Let It Bring You Down,” which was also issued as a single that year. It is an understated yet remarkably beautiful record.

In the same year Alex wrote and performed in the critically acclaimed play “The Trench” with a season at Edinburgh Fringe and subsequent performances around the UK.

A third album, From the Shallows, which returned to the full-band format, was released in October 2014 and included the singles “Sunburn” which featured Huey Morgan of Fun Lovin’ Criminals in the video and was funded in a way that raised money for The Children’s Trust, and the excellent “Trick Of The Light”.

Between the “Skeletons” and “Trick of the Light” albums Alex wrote the music for and performed in the award-winning “Alice’s Adventures Underground” which ran in May/June 2015 at The Vaults under Waterloo Station and comes back for a further run in 2017.

Alex returns to Dharma Records for his new single “Fixed For Today” – the first of a few great new songs we’ve heard so far which will feature on a new album in 2017.


"The most beautiful album I have heard in years. Period"

− New York Post

"A compelling record"

− Q Magazine

"An object lesson in how to wring out every last drop of emotion"

− Uncut

"A beautiful album with echoes of Nick Drake"

− The Sunday Times

"Wolfe is a major talent on the rise"

− For Folks Sake


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